Kiyoshi Kurosawa finally ventures into the samurai genre for the first time, though in a far less conventional fashion than its impeccable production design and lavish craftsmanship initially suggest.
The absorbing documentary explores how an owl that has spent its life in captivity finds itself in the wild and urgently needs to learn basic skills to survive.
More than just a commentary on leadership and hubris, The Odyssey is an adventure film, a romance story, a coming-of-age tale, and a Greek tragedy all rolled into one.
Ross McElwee’s latest film may be his most personal exploration yet, chronicling the grief he has felt since 27-year-old son died of a fentanyl overdose.
Carla Simón’s third feature is a truly special film—and her best yet. She captures the dynamics of family life with all its secrets, regrets, and resentments.
Director Olivia Wilde’s greatest asset is the chemistry among her quartet of performers. It is also worth remembering how committed and versatile Wilde can be as an actress.
Three standouts that should not be missed upon their deserved theatrical releases: a modern adaptation of Virginia Woolf’s Mrs. Dalloway, a mesmerizing romantic drama, and an unpredictable show-business comedy.
Director Adrian Chiarella’s feature debut stands out for the way it translates its ideas both visually and narratively, further confirming 2026 as an exceptional year for new voices in horror.
Inspired by a mishmash array of movies, John Early’s picture mixes tones successfully—both lighthearted and dark, a bit snide, but mostly earnest and heartfelt.